Thomas Middleton

MORE DISSEMBLERS BESIDES WOMEN

circa 1615?
re-licensed 17 October 1623
full synopsis available, click here
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Go to "Plays to be Compared"

ANDRUGIO

Andrugio is a popular general who returns in triumph to Milan. He is devastated to learn that his beloved, Aurelia, is being forced to marry the Governor of the Fort. Andrugio goes to the fort in disguise and reveals his identity to Aurelia, who pretends to be overjoyed (but is really in love with Lactantio). Andrugio organizes her escape: with the aid of some gypsies. But while waiting for Aurelia, he is arrested by Lactantio and brought before the Duchess (who has fallen in love with him). She shows him love letters that he has supposedly written, pretending to be outraged by them. But when they are alone, she reveals that she loves him. To keep their love secret, she orders him to be sent to prison, and Andrugio goes with this, pretending still to be the bewildered victim in front of Lactantio. In prison, however, he bribes a keeper to let him meet with Aurelia (who is still disguised as a gypsy). When the Duchess finds out about this, she is furious that Andrugio prefers an unworthy gypsy to her, but when she demands to see the "gypsy," Aurelia appears in her own attire. The Duchess admits that Aurelia is worthy and pretty, and says she can marry whoever she wants. Aurelia surprises all by saying she wants to marry Lactantio. But Lactantio rejects her, believing that he has won the Duchess. Aurelia therefore apologizes to Andrugio and asks if he'll marry her instead. He agrees, saying his love will cover all her faults.

ANTONIO

The name assumed by Lactantio's mistress while disguised as a page (see more at "Lactantio's mistress"). The name is mentioned once in the dialogue, and never used in stage directions or speech prefixes.

AURELIA

Aurelia is beloved of Lactantio. Lactantio is a womanizer who has to keep his affairs hidden from his uncle, the Cardinal. In order to meet with him, Aurelia disguises as a gentleman friend of Lactantio's, and she promises to renounce her former lover, Andrugio. But then Aurelia's father arrives, sees through her disguise, and orders her to marry the elderly Governor of the Fort; in case she disagrees, they place her in captivity in the fort. Andrugio arrives to rescue her, and Aurelia pretends to be overjoyed to see him. He organizes her escape by disguising her as a gypsy. She arranges to rendezvous with Andrugio after she has escaped, but he doesn't show up (because he has been arrested). Instead, she meets Dondolo, and together they join with a band of gypsies, by claiming to be expert thieves. When Aurelia's father and the Governor of the Fort appear, the disguised Aurelia amazes them by telling their fortunes accurately. She then distracts them by "predicting" that Aurelia is headed for the quay. She finds Andrugio in prison, and he bribes the keeper to let him talk with and kiss with and kiss Aurelia (who is still in disguise). When the Duchess finds out, she is furious with Andrugio for preferring an unworthy gypsy before her. When Andrugio rejects this assessment of his beloved, the Duchess orders the gypsy brought forth, but Aurelia appears in her own attire. The Duchess admits that Aurelia is worthy and pretty, and allows her to marry whoever she wants. Aurelia surprises everyone by saying that she wants to marry Lactantio. But Lactantio says he's moved onto better things, believing himself to have a chance of marrying the Duchess. Aurelia apologizes to Andrugio and asks if he'll marry her instead. He agrees, and she promises to be faithful to him.

AURELIA'S FATHER

Aurelia's father wants his daughter to marry the Governor of the Fort. She disguises as a gentleman, but her father sees through her disguise, and takes her away to the fort. Aurelia escapes by disguising as a gypsy. Then, when she encounters her father and the Governor on the road, she distracts them by telling their fortunes, and "predicting" that Aurelia is heading for the quay.

CARDINAL of MILAN

The Cardinal of Milan is a devout man. He cannot endure women near his lodgings. He admires the Duchess for her constancy, and sees her as a role model. When the Lords suggest that she be tested, the Cardinal agrees, but does not believe that she will ever yield. He also admires the chaste mind of his nephew Lactantio (not realizing that Lactantio is a womanizer who disguises his mistresses as men). The Cardinal is devastated when the Duchess falls in love with Lactantio (as he thinks), and decides to banish his nephew, but then decides it would be better if two chaste people married each other. When he finds Lactantio's "Page" (actually Lactantio's mistress in disguise) in tears, the Cardinal takes "him" away from Lactantio and gives "him" to the Duchess. Then he sets about the job of persuading Lactantio to marry the Duchess, and succeeds with (to him) surprising ease. Then, he and the Lords try to persuade the Duchess to marry, which offends her (though not because of her chastity but because she's secretly in love with Andrugio). At the end of the play, the Duchess's hopes of marrying Andrugio have been dashed, so when the Cardinal enters and asks the Duchess to choose her husband, she says she will remain a vowed virgin forever. The Duchess then reveals Lactantio's "Page," explaining that Lactantio has been wooing her in man's apparel "because he was bashful / And never could endure the sight of woman." The Cardinal is furious, but the Duchess calms him by preaching forgiveness.

CELIA

Celia is the Duchess's waiting-woman. When the Duchess starts to pretend to be in love with Lactantio, Celia warns her that Lactantio is the enemy of her true beloved, Andrugio. Celia evaluates the "Page" and decides that "he" needs dancing practice; she takes 'him' to be taught by Crotchet and Sinquapace, and while there demonstrates her skills in dancing. Later, Celia informs the Duchess of Andrugio's meetings with a gypsy-girl (Aurelia).

DONDOLO

Dondolo, a clown-like character, is Lactantio's servant. He banters with the "Page" and enjoys listening to him sing, although he resents 'him' for lacking "good fellowship" and for refusing to go swimming in the nude. Lactantio sends Dondolo to the fort to convey a message to the imprisoned Aurelia, but Dondolo misinterprets Aurelia's sign-language, and so Lactantio calls him a fool. Annoyed, Dondolo decides to run away with the gypsies. He meets Aurelia and together they join with the band of gypsies by claiming to be expert thieves. Dondolo does not appear again in the play, and presumably lives with the gypsies for the rest of his life.

DUCHESS of MILAN

The Duchess of Milan is a widow who has vowed never to marry again. She has been cloistered for seven years, but on the recommendation of the Cardinal, she decides to venture outside, to prove her constancy in the world. As soon as she steps onto her balcony, however, she sees Andrugio and falls in love with him. She decides to tell the Cardinal that she is in love, but decides to be "cunning" and names Lactantio as the object of her affection, hoping that the Cardinal will accept her choice to break her vow if it is broken with his chaste nephew. But the Cardinal decides to banish Lactantio, which upsets the Duchess's plans. Then, Celia warns the Duchess that Lactantio is the secret enemy of Andrugio. The Duchess forms a new plan: she meets Lactantio and tells him she'd like to see his enemy destroyed. She asks him to forge a love-letter from Andrugio to her, so that Lactantio can use it to have Andrugio arrested. Meanwhile the Cardinal reconsiders his rashness, and decides to persuade the Duchess of the joys of marriage. She pretends to be shocked, but is of course pleased. She has Andrugio brought before her, and interrogates him, pretending to be outraged by his love-letters. When they are alone, she reveals her love for him, and, to keep their love secret, keeps him in prison in the palace. She is later angry to learn that Andrugio has been meeting a gypsy-girl in prison. She is furious that he could prefer an unworthy gypsy before her. When Andrugio rejects this assessment of his beloved, the Duchess orders the gypsy brought forth, but Aurelia appears in her own attire. The Duchess admits that Aurelia is worthy and pretty, and allows her to marry whoever she wants. Aurelia eventually chooses Andrugio. The Duchess's hopes have been dashed, so when the Cardinal enters and asks the Duchess to choose her husband, she says she will remain a vowed virgin forever. The Duchess then reveals Lactantio's "Page," explaining that Lactantio has been wooing a woman in man's apparel "because he was bashful / And never could endure the sight of woman". She gives money for the "Page's" dowry, and speaks the play's moral at the end: "There's more dissemblers than of womankind."

GOVERNOR of the FORT

An elderly gentleman whom Aurelia's father wishes her to marry. The Governor and Aurelia's father imprison Aurelia in the fort, but she escapes by disguising as a gypsy. Then, when she encounters the two on the road, Aurelia distracts them by pretending to tell their fortunes, and "predicting" that Aurelia is headed for the quay.

GYPSIES

A band of gypsies amongst whom Aurelia and Dondolo hide.

GYPSY CAPTAIN

The Gypsy Captain allows Aurelia and Dondolo to join his band of gypsies; he rubs Dondolo's face with bacon to give him the right skin color.

KEEPER

A "ghost character." Andrugio bribes the keeper in the Duchess's prison to let him talk with and kiss Aurelia.

LACTANTIO

Lactantio is the nephew of the Cardinal of Milan. Since he is the Cardinal's heir, he must pretend to be chaste. But he loves Aurelia (and several other women). So he acts like a religious scholar, while disguising Aurelia as a gentleman who is staying with him. At the same time, he keeps another mistress in disguise as his Page. However, his "Page" then turns out to be pregnant, and asks him to marry her, but he refuses. He then orders Aurelia to be his lover, and renounce her former lover, Andrugio; she agrees. But her father favors a third suitor, the Governor of the Fort. Her father sees through her disguise, and drags her away to the fort. Lactantio has to invent a reason why his "gentleman friend" has left, and also has to deal with his pregnant Page, deciding to send the latter to a nurse of his acquaintance. He sends Dondolo to the fort to try to convey a message from Aurelia, but Dondolo misinterprets her sign language; this makes Lacantio angry, and he insults Dondolo, who runs away with the gypsies. Lactantio becomes convinced that Andrugio will worm his way into Aurelia's affections again. Then the Cardinal tells him that he would like him to marry the Duchess. Lactantio is delighted, seeing this as the route to wealth. He goes to meet the Duchess, who tells him that she'd like to help him destroy Andrugio. She asks Lactantio to forge a love-letter from Andrugio to her, which he can then use to arrest Andrugio, on her authority. Lactantio thinks everything is going is way. But when the Duchess allows Aurelia to marry whomever she wants, Aurelia chooses Lactantio. Lactantio rejects Aurelia, saying he's moved on to better things. He is disappointed, however, when the Cardinal enters and asks the Duchess to choose her husband, and the Duchess announces that she will remain a vowed virgin forever. The Duchess then reveals the truth about Lactantio's "Page," explaining that Lactantio has been wooing her in man's apparel "because he was bashful / And never could endure the sight of woman." The Cardinal is furious, and Lactantio laments his bad luck, resigning himself to marrying his "Page," although the Duchess sweetens the blow with a 10,000 ducat dowry.

LACTANTIO'S MISTRESS

Lactantio's mistress is disguised as his Page named Antonio but she is never given a proper name. Lactantio is happy to have her in his house, until he learns that she is pregnant, and decides to send her away. When the Cardinal finds the "Page" crying, he takes "him" away from Lactantio and gives "him" as a gift to the Duchess. The Page is annoyed, and even more so when the Duchess and Celia decide that he is not manly enough and needs dancing practice. She thus ends up undergoing a session with the ghastly Crotchet and Sinquapace, during which and her exertions cause her to go into labor, to the astonishment of all. At the end, the Page enters in her female attire, and the Duchess reveals to the Cardinal that Lactantio has been wooing her in man's apparel "because he was bashful / And never could endure the sight of woman." The Duchess gives the Page 10,000 ducats as a dowry, so that she can marry Lactantio.

LORD

A nobleman. He gives Andrugio the news that Aurelia is being forced to marry the Governor of the Fort.

LORDS

There are three Lords. They suggest to the Cardinal that the Duchess's constancy be tested. Lord 1 is particularly pleased because he has designs on the Duchess, although nothing comes of this plotline. Later, the Cardinal tells the Lords that they ought to try to persuade the Duchess to marry, and they sycophantically agree.

LORD VINCENTIO

A "ghost character." Aurelia's alter ego is a gentleman in credit with Lord Vincentio.

NICHOLAO

Sinquapace's usher. He demonstrates dancing while Sinquapace plays the viol.

PAGE

Lactantio's mistress is disguised as his Page named Antonio but she is never given a proper name. See "Lactantio's mistress" for more.

PORTER

A "ghost character." Aurelia says that during her escape from prison in disguise as a gypsy, the Porter stopped her, but only so that he can have his fortune told.

SERVANT

Aurelia's servant, whom she trusts.

SINQUAPACE

A comic dancing-master, hired to teach the "Page" (Lactantio's mistress).

Synopsis:

Background: The Duchess of Milan, a woman of 30, has been widowed for seven years and has taken a vow never to marry again. She has kept this vow, to the admiration of all. The Duchess has managed to keep her vow mainly by cloistering herself in her home and refusing to venture out where she might be tempted.

I.i begins outside of the Duchess's house. Lactantio and Aurelia, sworn lovers, are hindered in their match by Lactantio's uncle, the Cardinal. The Cardinal is a religious man who loves chastity better than any other virtue. The Duchess is his ideal, and he has written many sonnets in her honor. Lactantio, the Cardinal's sole heir, fears that a love match between himself and any woman would lose his inheritance from the Cardinal. Lactantio has therefore dissembled that he is a devoutly religious young man who fears women and abjures them. This feigned piety has fooled and pleased the Cardinal. Lactantio conspires with his love, Aurelia, to sneak her into his chambers by some trick.

I.ii The Cardinal is persuaded by 1 Lord to test the Duchess's virtue. As in The Second Maid's Tragedy, the male character mistrusts untried chastity. The Cardinal agrees to advise the Duchess to go forth in the world-if only to prove that her chastity and vow are true and unshakable. 1 Lord, however, has designs upon the Duchess, and his advice to the Cardinal is intended to bring the Duchess out where he might try her for himself.

We see the Cardinal and Lactantio, who continues dissembling misogynistic piety for his uncle's benefit. The Cardinal is well pleased with his "work" in Lactantio. There is a woman, however, who is really Lactantio's mistress, waiting upon Lactantio in the guise of his page. She informs Lactantio that she is pregnant with his child. She asks him to make good on his promise to marry her, but he responds that he has made many such promises to many such women and that she must take what he chooses to give her. The page brings Lactantio news that a gentleman has come from Rome to see him. The gentleman is Aurelia in disguise (this being Lactantio's plan to be close to his lover without the Cardinal's suspicions being aroused.) The Cardinal is fooled by the disguise and bids the "gentleman" welcome before leaving to see the Duchess.

Aurelia tells Lactantio that she escaped from her father just in time. Her father had planned to marry her off to the old Governor of Milan. Her father and the Governor enter at that moment to speak with the Cardinal. They meet Lactantio and the "gentleman" and speak with them. The father sees through his daughter's disguise at once, grows angry, and he and the Governor remove her to the fort so that she shall not escape him again. He upbraids Lactantio for his hypocrisy before leaving. Lactantio determines to retrieve Aurelia.

I.iii takes place at the Duchess's house. The Duchess and her servant, Celia, enter on a balcony. The Duchess expresses herself satisfied with her vow. The Cardinal enters and goes about his mission of persuading the Duchess to walk forth and test her vow in the world. He argues that only then will she "astonish sin" and prove a worthy example of chastity in the world-a chastity that can withstand temptation. The Duchess agrees, and the Cardinal leaves to participate in the triumph of Andrugio, the returning war hero. The Duchess gets one look from her balcony at the returning Andrugio and immediately falls in love with him. Andrugio, however, is looking for the woman of his desires: Aurelia.

I.iv introduces us to the "fool" of the play, Donaldo. The page asks him to shake out Lactantio's shirt, but Donaldo refuses until the "young boy" sings him a song. The page says that "he" cannot sing, but finally relents. By the end of the scene we learn that Donaldo is unsatisfied with his part in Lactantio's service and has determined to run away.

II.i finds the Duchess plotting to win Andrugio. She tells Celia that she has fallen in love with Lactantio. When the Duchess tells the Cardinal he is astonished. He first determines to disinherit Lactantio. After the Cardinal storms out, thus upsetting her plans. She had hoped that the Cardinal would accept her choice to break her vow as it was broken with his nephew, the only man he would not harm. The Cardinal's violent reaction leads her to believe that her trick has failed.

II.ii The Cardinal reconsiders his rashness and realizes that Lactantio had no part in causing the Duchess's to recant her vow. He decides not to punish Lactantio. He instead decides, as the Duchess had hoped, to give his blessing to the union.

III.iii takes place in the castle where Aurelia is being held. Andrugio comes in disguised in order to see her. Aurelia does not recognize him and first thinks about sending a love letter by him to Lactantio, but she repents when she remembers that Andrugio is in the city (and this man might be one of his spies). Andrugio reveals himself to her, and she feigns great joy in seeing him. She conspires with him to gain her freedom. He has smuggled in some gypsy clothes for her to wear in order to slip past the guards. She is then to infiltrate the gypsies in Milan in order to escape apprehension when her disappearance is discovered. Andrugio will come for her at the gypsy camp. Aurelia approves the plan, but has a secret counterplan to escape Andrugio as well and fly to Lactantio after she gets away from her father and the Governor.

III.i The page begs Lactantio to marry her to avoid both of their shame, but he refuses. The page cries, as she is wont to do throughout the play. Her crying, in fact, leads the Cardinal to suspect that Lactantio mistreats the boy.

Donaldo determines to run away and join the gypsies because they are the wittiest thieves and will appreciate his special talents in foolery and thievery.

The Cardinal, entering to find the page weeping, tells "him" not to fret, that he has arranged to have the page given to the Duchess as a gift. This, the Cardinal hopes, will remove the sweet-faced boy from the poor treatment of Lactantio. The Cardinal tells Lactantio that the Duchess has favored him and that he has approved the match. Lactantio, only half acting, tells the Cardinal that he has no interest in women and that he does not wish to be favored by the Duchess. Left alone, though, Lactantio realizes all the benefits of marrying the Duchess and resolves to be her man.

Meantime, the Cardinal, wishing to smooth the way for the match between the Duchess and his nephew, meets with the Lords. He tells them that the Duchess's vow was rashly taken, was made under the duress of her husband's impending death, and has been kept as long as such vows should be kept. He convinces the Lords that she should no longer be held to her vow. 1 Lord, who has ulterior motives in his designs on the Duchess, eagerly accepts this advice. The Cardinal pretends that the Duchess is still resolute to her vow and counsels the Lords to take every opportunity to dissuade her from it. This ploy is mainly to make the Duchess seem a fitting match for his nephew, and not a wanton, but also to throw off suspicion that he has encouraged a match between the Duchess and Lactantio.

III.ii The Duchess learns from Celia that Lactantio and Andrugio are secret enemies. When Lactantio comes to call, the Duchess plays hard-to-get for a moment but yields quickly to her supposed love. She gets Lactantio to confess that the only enemy he has in the world is the general, Andrugio. The Duchess tells Lactantio that they will undo the general. She makes Lactantio write a love letter to her in Andrugio's handwriting-this she says she will use to discredit Andrugio. Lactantio agrees. This is actually the Duchess's plan to catch Andrugio for herself.

IV.i begins in the gypsy camp. Andrugio is waiting for Aurelia. Lactantio enters with guards, sent by the Duchess, and arrests Andrugio in the Duchess's name. Aurelia enters disguised as a gypsy. She meets the fleeing Donaldo, who scorns his service to Lactantio. They both fall in with the gypsies, who accept them and make Aurelia Donaldo's "doxy". They tell Donaldo that, because of his skill and background, he will shortly become captain of the gypsies-they read as much in his palm. The Governor and Aurelia's father enter looking for Aurelia. They do not penetrate her disguise this time, and she tells their fortunes: they will never find what they seek.

IV.ii returns to the Duchess's home. The Cardinal and Lords make a show of talking her out of her vow-especially 1 Lord. The Cardinal makes a gift to her of the page. The Duchess likes the pretty "boy" at once and determines to raise "him" properly. She sends for singing and dancing masters to educate "him." Lactantio brings in Andrugio under arrest. Andrugio is angry at having been taken, and especially angry at having been taken by the foppish Lactantio. The Duchess wishes to speak to Andrugio alone. She shows Andrugio the forged love letter and asks him to explain. When he denies it, she refuses to believe him and tells him that she yields to him, that he may have her. Andrugio despairs that this love of the Duchess's will overthrow his love for Aurelia-he fears he is trapped in a match that he cannot escape.

V.i finds the page at "his" singing lesson. She is close to delivering her baby and the singing is torture on her. She makes it through, however, only to be taken over by the dancing master. In the midst of the lesson she falls down in labor and calls for a midwife.

V.ii finds Celia telling the Duchess that she has seen Andrugio kissing a vile gypsy. The Duchess is enraged that her lover should prefer an ugly brown woman to her. She calls for the gypsy to be brought in. Aurelia, still disguised, is ushered in. The Duchess believes that Andrugio is insane to love such a tawny creature. She dismisses the "gypsy" and calls for Andrugio. She confronts him with her discovery. Andrugio denies that he loves so unworthy a creature as she describes. The Duchess calls for the woman to be brought in again. This time Aurelia enters in her own shape. The Duchess sees that she has not been preferred to a lesser but to a better woman; her vanity appeased, she grants Andrugio his freedom to marry Aurelia.

Just then Lactantio enters. Aurelia scorns Andrugio and runs to Lactantio. Lactantio scorns Aurelia and says he prefers the Duchess. Aurelia begs Andrugio to take her back to him. Andrugio accepts her apology and takes her back.

The Duchess scorns Lactantio and calls out the page in female dress. She reminds him of his duty to her. He must marry the woman. The Cardinal is astonished to learn how Lactantio has acted behind his back and disowns him. The Duchess calls for mercy and bestows ten thousand ducats from her treasury as the page's dowry. The Cardinal relents and reinstates Lactantio to his good graces for mercy's sake. The Duchess swears to keep her vow of chastity, to give up her worldly life, donate all her money to the church, and join a convent in order to live with her vow forever.

Characterization:

The Duchess is interesting insofar as she is enigmatic. Most comedies would use the chastity plot to demonstrate the superiority of love and marriage over a vow of single life and austerity. This comedy begins in that direction but hesitates and retreats at the end, seeming to support the vow as the better life.

The Cardinal is equally enigmatic. He vacillates between loving chastity and disowning it, from hating his nephew to accepting the situation. One wonders what Middleton was trying to say with him-the vacillation of the church? the human foibles in the clergy?

Donaldo is perhaps the most interesting character from a generic point of view. He is the New Comedy witty intriguer in the play, but there is nothing for him to do here but shake out shirts. It is as though the New Comedy genre has degenerated to this near-Fletcherian romance tradition and left nothing for the witty intriguer (once the most interesting of characters) to do. Donaldo seems to sense this comic pond drying up and defects from his "service"-both to his master and to the play-in order to be a king among gypsies.

There are several characters who have vestigial plots that are never developed:

  • The father's trouble with his willful daughter (so undeveloped as to leave the Duchess to speak for him in Act V when she blesses Aurelia's match with Andrugio).
  • The Governor's plot, old man loving young girl, which dies an early death in the play.
  • 1 Lord's designs on the Duchess, often alluded to, but never brought to fruition (perhaps in an earlier draft he did get the Duchess, but the present ending was preferred to the comic stock mass-marriage ending).

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Notes of Interest:

This play, like No Wit No Help Like a Woman's, is a transition play for Middleton between his earlier City Comedies and his later Romances and Tragicomedies. It is a further step away from the City Comedy in that it is not set in London but in Milan. However, it does not go all the way to the Romance because there are remnants of the earlier comedy in Donaldo, Aurelia's duped father, the undone old lover (the Governor). It is, however, a larger step in the latter direction owing to its experimentation in the genre and dismissal of older devices such as
  • The disguise (the first of Aurelia's being readily detected, which never would have happened in an earlier play);
  • The loss of the witty intriguer (Donaldo), who defects from the play and in his defection seems to change the genre from New Comedy to Romance;
  • The avant garde ending where not everyone is married off and one character even renounces marriage.
In the end, however, the play is neither New Comedy nor Romance-it simply lacks focus.

Plays to be compared:

Chapman's Gentleman Usher (for the letter-writing scenes in both plays);

Middleton's (?) The Second Maid's Tragedy (for the chastity temptation test).

Middleton's No Wit, No Help Like a Woman's (for the similarity in the transitional tone, the general unfocused nature of the plays, and the mix of New Comedy and Romance traditions--also for Middleton's growing interest in analyzing the feminine psychology).

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