John Marston

THE DUTCH COURTESAN, or
COCKLE DE MOY

1603–1604

The date is possibly as late as 1605. This conjectural date is drawn from several textual clues, the most convincing being found in act two. If we conclude that this play, as did Eastward Hoe!, pokes fun of the Scots presence in court, one might perceive an obvious dating in the Cockledemoy/Mulligrub subplot. Cockledemoy, disguised as a Scots barber, complete with insulting accent, says he's known his profession for two years (the length of time James had been on the English throne in 1605). If the English playwright objected to the Scots taking over England, this objection might be reflected in the Scots barber's "poling and shaving" the English Mulligrub, and in Mulligrub's condemnation of "all Andrews" (Andrew, of course, being the patron saint of Scotland).

Go to "Characterization Notes"
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a synoptic character listing

ANDREW SHARK

Andrew Shark the barber is one of the many identities that Cockledemoy, a city knave, assumes in order to swindle Mulligrub, an underhanded vintner. Wearing this disguise, Cockledemoy offers Mulligrub a shave; soaps up his entire face (including his eyes); and, while Mulligrub is unable to see, steals a bag full of his money.

BEATRICE

Beatrice is Young Freevill's fiancée, and up until he met her, he was involved with Franceschina, a Dutch courtesan. Indeed, even after Freevill's engagement, he continues to visit Franceschina, kissing her, caressing her, listening to her sing, offering her to his friend Malheureux, and discoursing upon the virtues of courtesans and the joys of stews. Beatrice is as patient and forgiving. When he disturbs their pre-wedding masque in order to participate in a pretend fight with Malheureux and leaves without any notice, she forgives him. When Franceschina tells Beatrice that Freevill was in love with Franceschina and not Beatrice, she promises to love Franceschina even more because of her dearness to Freevill. When Freevill skulks about in disguise and allows Beatrice to believe that he is dead, she contemplates suicide. Ultimately, Beatrice's example of unconditional love teaches Freevill that there is no greater joy than to have a virtuous wife.

BEIEROANE

A "ghost character." Master Beieroane does not appear in the play. Mary Faugh lists him, along with the Irishman Sir Patrick, the Spaniard Don Skirtoll, and the Dutchman Haunce Herkin Gluken Skellan Flapdragon, as one of the members, presumably representing the Italian contingent, of the wide-ranging international clientele that Franceschina entertained before she met Freevill.

BURNISH

Master Burnish, the goldsmith, appears in only one scene, in which he sells a cup to Mulligrub.

CAQUETEUR

Caqueteur is a friend of Freevill's and dances in his pre-wedding masque. Caqueteur is also one of Crispinella's suitors, but he ultimately loses out to Tysefew, in part because Caqueteur fibs to Crispinella that the diamond ring he had borrowed from Tysefew really belongs to him.

CHRISTIAN

Along with Roger, Christian is one of two named servants of Mistress Mulligrub. After Cockledemoy tricks Mistress Mulligrub into believing that Master Burnish and his wife are on their way to the Mulligrubs' for dinner, Roger and Christian help their mistress to furnish the table.

COCKLEDEMOY

The dramatis personae describes Cockledemoy as "a knavishly witty city companion." He is the lover of the bawd Mary Faugh, his sometime accomplice, and to everyone else he is a trickster. In particular, Cockledemoy's attentions are directed at Master Mulligrub, the swindling owner of a bawdy tavern, whom Cockledemoy attempts to reform by giving him a taste of his own medicine. Assuming a series of disguises, first as Gudgeon, then as Andrew Shark the barber, then as a French peddler, then as the servant to Master Burnish the goldsmith, then as a sergeant, Cockledemoy tricks Mulligrub out of three bowls, a bag full of money, a cup, and a salmon, and he ends up getting Mulligrub sent to the stocks and then to prison. On his way to be hanged, Mulligrub delivers a confession and offers to forgive Cockledemoy. Upon hearing this, Cockledemoy, disguised as a sergeant so as to more easily steal Malheureux's purse, reveals himself. Mulligrub, now a free man, is overjoyed.

CONSTABLES, THREE

There are three constables; two of them speak, and one is silent. They are all easily gulled, as Cockledemoy is able to persuade them, first, to arrest Mulligrub and put him in the stocks, and, second, to send Mulligrub to prison.

CREAK

A "ghost character," Master Creak does not appear in the play. Mistress Mulligrub refers to him at the end of II as one of the "fiddlers in the house."

CRISPINELLA

Crispinella is reminiscent of Shakespeare's Beatrice. She delivers orations against kissing, marriage, and doubled standards for men and women; she speaks up to Freevill when he hurts her sister, Beatrice; and ultimately she negotiates a marriage with a man who is almost her equal when it comes to exchanging words and wit: Tysefew, who promises her, "[i]f you will be mine, you shall be your own."

DRAWER

A "ghost character." The drawer does not appear in the play, but Freevill speaks him of as one of the two people who were nearby when Cockledemoy and Mary Faugh stole three of Mulligrub's bowls. The drawer had left the room so that Cockledemoy and Mary Faugh could have their privacy, leaving behind the couple and a blind harper, who was none the wiser as Cockledemoy and Mary Faugh collected the loot and escaped out the window.

DUBON

At the end of the play, when Franceschina's plot to revenge her betrayal at the hands of Freevill is coming to a head, she calls for someone to escort her to the place where she will disclose their relationship and claim that Malheureux murdered Freevill. In order to thwart her plans, Freevill disguises himself as her guide, going by the name of Don Dubon, a pander.

FRANCESCHINA

Franceschina, the Dutch courtesan of the title, entertained an impressive international clientele until she fell in love with one of her customers, the young Englishman Freevill. Although he returned her feelings at first, Freevill is now engaged to the virtuous Beatrice, and he slowly breaks away from Franceschina, who becomes more and more panicky with every lost kiss. When he offers in his stead the less interesting Malheureux and when he refuses to relinquish a ring that Beatrice gave him, Franceschina vows revenge upon her rival, her beloved, and his friend. She persuades Malheureux that she will sleep with him if, and only if, he kills Freevill and brings her the ring as a sign of his success. Ostensibly driven by lust, Malheureux accepts the offer. He later appears to Franceschina with the ring and confesses that he has killed his friend. Unfortunately for Malheureux, Franceschina has, in the meantime, gone to Freevill's and Beatrice's families, publicized their affair, told Beatrice that Freevill never loved her, and brought the entire group to her chamber to hear Malheureux's confession. Unfortunately for Beatrice, Freevill and Malheureux plotted together to stage Freevill's death. Not only is Freevill alive; he is the one who, disguised as a pander, has been escorting her everywhere her quest for revenge has taken her, watching her all the time. In the end, he reveals himself, and all of the characters are quick to place sole blame upon Franceschina, especially Sir Lionel Freevill, Young Freevill's father, who wants Franceschina to be severely whipped and sent to the worst prison imaginable.

FREEVILL

Although engaged to marry the virtuous Beatrice, Young Freevill continues to visit his Dutch courtesan, Franceschina, kissing her, caressing her, listening to her sing, and discoursing upon the virtues of courtesans and the joys of stews. From the beginning of the play it is clear that while Franceschina is still in love with Freevill, he is quickly falling out of love with her. As Freevill says, "I loved her with my heart until my soul showed me the imperfection of my body, and placed my affection on a lawful love, my modest Beatrice." Franceschina pursues her self-proclaimed double "vow," (i.e. never to couple with another man and to exact her revenge upon Freevill, his beloved and his friends), then, with a constancy that stands in stark contrast to Freevill's fickleness. As the play progresses, Franceschina goes from being a beautiful "courtesan" with "virtue" to a "vile whore" in Freevill's estimation, and yet Freevill never turns his newfound moralism upon himself and his own deeds. Instead, he effects a complicated plan to secure Franceschina's demise and to teach Malheureux that lust is a sin, which is exactly what Malheureux said at the beginning of the play and exactly what Freevill denied. Beatrice remains faithful to and forgiving of him throughout the play, and Freevill acknowledges that her example has taught him the joys of having a virtuous woman. At the final exit, everyone is invited to their wedding, which is to immediately follow.

FRENCH PEDLAR

In order to effect one of his many successful attempts to trick Mulligrub, a sneaky tavern owner, Cockledemoy, a city knave, assumes the identity of a French peddler. Wearing this disguise, Cockledemoy is able to witness Mulligrub buying an expensive gold cup from Master Burnish, the goldsmith. After the cup has been delivered to Mistress Mulligrub, Cockledemoy, this time pretending to be Burnish's servant, persuades her that Mulligrub wants it returned to Burnish's for engraving. Mistress Mulligrub gives Cockledemoy the cup, and Mulligrub is swindled yet another time.

GUDGEON

Gudgeon is one of the many identities that Cockledemoy assumes in order to swindle Mulligrub, a sneaky vintner. Cockledemoy goes by the name of Gudgeon during his conversation with Holifernes Reinscure, an apprentice barber-surgeon, in which Cockledemoy successfully persuades Holifernes to lend him his shaving equipment so that he can play a joke on Mulligrub. A Gudgeon is a small fish that is easily caught and came to be used to describe a person easily deceived.

HARPER

A "ghost character." The blind harper does not appear in the play, but Freevill speaks him of as one of the two people who were nearby when Cockledemoy and Mary Faugh stole three of Mulligrub's bowls. The drawer had left the room so that Cockledemoy and Mary Faugh could have their privacy, leaving behind the couple and the blind harper, who was none the wiser as Cockledemoy and Mary Faugh collected the loot and escaped out the window.

HAUNCE HERKIN GLUKEN SKELLAN FLAPDRAGON

A "ghost character." Haunce does not appear in the play. Mary Faugh lists him, along with the Irishman Sir Patrick, the Italian Master Beieroane, and the Spaniard Don Skirtoll, as one of the members, presumably representing the Dutch contingent, of the wide-ranging international clientele that Franceschina entertained before she met Freevill.

HOLIFERNES REINSCURE

Holifernes is a fatherless apprentice surgeon-barber and godson to Mulligrub. Cockledemoy, going by the name of Gudgeon, persuades Holifernes to lend him his shaving utensils. Eventually, Cockledemoy uses these gadgets to pose as Andrew Shark the barber and to swindle Mulligrub out of fifteen pounds.

HUBERT SUBBOYS

Sir Hubert Subboys is the father to Beatrice and Crispinella. He hosts a masque to celebrate Beatrice and Freevill's impending nuptials, but it is broken up when Malheureux and Freevill argue. Later in the play, Sir Hubert participates in the search for the supposedly dead Freevill and the supposedly guilty Malheureux. Sir Hubert says very little. After Freevill reveals that he is alive, Sir Hubert rejoices that Beatrice and Freevill will at last be married; however, it is Cockledemoy, not Sir Hubert, who ends the play by inviting everyone, especially himself, to the wedding.

JOYCE

A "ghost character." Mistress Joyce does not appear in the play. Tysefew refers her to as someone who laughed at Crispinella for being short and wearing extremely high heels. Crispinella says that Joyce is beautiful on the outside but ugly on the inside.

LIONEL

Lionel is the servant to Master Burnish, the goldsmith. Mulligrub commissions him to deliver a gold cup that Mulligrub has just bought to Mistress Mulligrub at home. Lionel successfully completes his mission, but then Cockledemoy pretends to be another of Burnish's servants and manages to carry off the cup for himself in the end.

LIONEL FREEVILL

Sir Lionel Freevill is Freevill's father, and the younger seems to have inherited the elder's his appetite for women. The dramatis personae describes Sir Lionel as "an old knight," but age doesn't stop him from offering marriage, a five hundred pound jointure, and satisfying sex to Crispinella, the sister of the woman to whom his son is engaged. From the beginning of the play it is clear that while Franceschina is still in love with Freevill, he is quickly falling out of love with her, and yet he defends the importance of brothels as well as a husband's natural propensity and right to frequent them. Moreover, as the play progresses, Franceschina goes from being a beautiful "courtesan" with "virtue" to a "vile whore" in Freevill's estimation, and yet Freevill never turns this careful inspection upon himself and his own deeds. The suggestion is that Young Freevill learned this double standard from his father: at the end of the play, it is Sir Lionel, and not any other character, who exclaims that Franceschina should be sent "to severest prison" and punished with "the extremest whip and jail!"

MALHEUREUX

Malheureux is Young Freevill's initially self-righteous friend, who, at the beginning of the play describes himself as a virtuous "man of snow" and upon first seeing Franceschina is overwhelmed with sexual desire. Franceschina tells him that before she will sleep with him he will have to kill Freevill. Malheureux promises to kill his best friend, but he does not keep his vow. Instead, he tells Freevill everything. Freevill comes up with a plan: at Freevill's pre-wedding masque, the two men will pretend to duel; Freevill will go into hiding; Malheureux will tell Franceschina that he killed Freevill; and, after Malheureux has enjoyed the promised reward, Freevill will emerge from hiding. If Malheureux should get into trouble with the authorities, he only has to send to the jeweler's, Master Shatewe's, where Freevill promises he will be hiding. But Freevill does not keep his vow; instead, he disguises himself in order to teach both Malheureux and Franceschina a lesson. In Franceschina's chamber, Malheureux confesses to having killed Freevill. Unbeknownst to him, the local authorities and Freevill's and Beatrice's families are placed where they can overhear Malheureux's confession. He is arrested, and when his protest that Freevill is waiting for him at Shatewe's proves to be untrue, he is sentenced to death. At his execution site, Malheureux castigates Franceschina, and at that point Freevill reveals himself, and Malheureux is, of course, set free.

MARY FAUGH

The dramatis personae describes Mary Faugh merely as an "old woman," but she is clearly bawd to Franceschina as well as the lover and sometime accomplice of Cockledemoy, who, to her delight, describes her as his "blue-toothed patroness of natural wickedness" and delivers speeches on the virtues of brothel-keepers. It is, of course, Mary Faugh who introduced Franceschina to Freevill and to a host of other men, mostly knights as Cockledemoy points out, from practically every country in western Europe. Appropriately, it is because Mary Faugh brings Freevill and Franceschina together one too many times that Franceschina is brought to her demise: after Freevill has costumed himself as a pander, near the end of the play, Mary Faugh is unable to see through the disguise, and when Franceschina calls for an escort, on her way to accuse Malheureux of Freevill's murder, Faugh recommends that she go with the disguised Freevill, who, in due course, happily reveals Franceschina's "vices" to everyone.

MULLIGRUB

Along with his wife, Master Mulligrub runs a bawdy tavern. His admittedly crooked operations are just a bit too corrupt for Cockledemoy, who attempts to reform Mulligrub by giving him a taste of his own medicine. Assuming a series of disguises, Cockledemoy tricks Mulligrub out of three bowls, a bag full of money, a cup, and a salmon, and he ends up getting Mulligrub sent to the stocks and then to prison. On his way to be hanged, Mulligrub delivers a confession and offers to forgive Cockledemoy. Upon hearing this, Cockledemoy, disguised as a sergeant so as to more easily go about pick-pocketing, reveals himself. Mulligrub, now a free man, is overjoyed.

MULLIGRUB, MISTRESS

Along with her husband, Mistress Mulligrub runs a bawdy tavern. Her "education," as she calls it, seems mostly to have been comprised of lessons in lovemaking, and her teachers have been a slew of her husband's customers. Cockledemoy tricks her just as easily as he tricks Master Mulligrub, first into giving him a gold cup and then into giving him a salmon. Mistress Mulligrub seems to be oblivious to Cockledemoy's true identity: at the end of the play, when Cockledemoy is hinting that he'll be happy to take Mulligrub's place once he's hanged and she's a widow, Mistress Mulligrub offers Cockledemoy an open invitation to her "mutton" and "featherbed," and she seems quite disappointed when, in the end, her husband is set free.

PANDER

At the end of the play, when Franceschina's plot to revenge her betrayal at the hands of Freevill is coming to a head, she calls for someone to escort her to Freevill's family and the authorities where she will disclose their relationship and claim that Malheureux murdered Freevill. In order to thwart her plans, Freevill disguises himself as her guide, going by the name of Don Dubon, a pander.

PATRICK

A "ghost character," Sir Patrick does not appear in the play. Mary Faugh lists him, along with the Spaniard Don Skirtoll, the Italian Master Beieroane, and the Dutchman Haunce Herkin Gluken Skellan Flapdragon, as one of the members, presumably representing the Irish contingent, of the wide-ranging international clientele that Franceschina entertained before she met Freevill.

PUTIFER

Putifer is nurse to Beatrice and Crispinella. She does little to advance the plot; her main function is to provide a bit of bawdy comedy. Unfortunately, she never gets a chance to deliver the oration that she has written on how wives should behave to their husbands for the first month of marriage. Perhaps Caqueteur ends up with some idea of what sort of knowledge Putifer might have imparted, for after he fails to win Crispinella's heart, Crispinella refers him to Putifer, who promises, "I can tell you, as old as I am, what to do with him," and agrees to dance with him at the masque.

QUICQUID

A "ghost character" and possibly a fictitious character, Master Quicquid the parson does not appear in the play. Cockledemoy, disguised as Andrew Shark the barber, refers to Quicquid when he's explaining to Mulligrub where his usual barber has gone. Since "quicquid" means "whoever," and since Cockledemoy is an improvising trickster, it's possible that the parson is one of Cockledemoy's fictions. Interestingly enough, though, later in the play, when Mulligrub is being carted off to the stocks, one of the constables (who is not intelligent enough to make up names) says that Mulligrub will appear before Justice Quodlibet (or "Justice Whatever you please") the next morning. Justice Quodlibet, although he does not appear in the play either, seems to be someone whom the other characters believe exists, and perhaps in this case it is the playwright Marston who is the improvising trickster. The similarities between the name that Cockledemoy devises for the parson and the name that Marston devised for the justice suggests that Marston is saying, first, that playwrights are like tricksters in their ability to fictionalize, and second, that both religious and legal authority figures are arbitrary and capricious, a commentary that was characteristic of Marston.

QUODLIBET

A "ghost character," Justice Quodlibet does not appear in the play. When Mulligrub is being carted off to the stocks, one of the constables says that Mulligrub will appear before Justice Quodlibet (or "Justice Whatever you please") the next morning. His counterpart seems to be Master Quicquid the parson, who also does not appear in the play. Cockledemoy, disguised as Andrew Shark the barber, refers to Quicquid when he's explaining to Mulligrub where his usual barber has gone. Since "quicquid" means "whoever," and since Cockledemoy is an improvising trickster, it's possible that the parson is one of Cockledemoy's fictions. On the other hand, Justice Quodlibet, although he does not appear in the play either, seems to be someone whom the other characters believe exists, and perhaps in this case it is the playwright Marston who is the improvising trickster. The similarities between the name that Cockledemoy devises for the parson and the name that Marston devised for the justice suggests that Marston is saying, first, that playwrights are like tricksters in their ability to fictionalize, and second, that both religious and legal authority figures are arbitrary and capricious, a commentary that was characteristic of Marston.

ROGER

Along with Christian, Roger is one of two named servants of Mistress Mulligrub. After Cockledemoy tricks Mistress Mulligrub into believing that Master Burnish and his wife are on their way to the Mulligrubs' for dinner, Roger and Christian help their mistress to furnish the table.

SERGEANT

The last disguise that Cockledemoy assumes is that of Sergeant. Having persuaded the real sergeant to drink himself into a stupor, Cockledemoy steals his clothes and heads to the execution of Malheureux, at which he picks the pockets of the accused, much to Malheureux's chagrin.

SHATEWE

A "ghost character," Master Shatewe, the jeweler, does not appear in the play. At the time that Freevill and Malheureux plan their pretend duel, Freevill tells Malheureux that he will wait at Shatewe's until after Malheureux has informed Franceschina that he has killed Freevill and after Franceschina has allowed Malheureux to claim her body as his reward. However, Freevill never intends to go to Shatewe's, and when Malheureux insists that the living Freevill can be found at Shatewe's, and the searchers return without Freevill, Malheureux is sentenced to death for murder.

SKIRTOLL, DON

A "ghost character," Don Skirtoll does not appear in the play. Mary Faugh lists him, along with the Irishman Sir Patrick, the Italian Master Beieroane, and the Dutchman Haunce Herkin Gluken Skellan Flapdragon, as one of the members, presumably representing the Spanish contingent, of the wide-ranging international clientele that Franceschina entertained before she met Freevill.

TYSEFEW

Tysefew is a friend of the Freevill family. He dances in Young Freevill's pre-wedding masque, and he woos and wins Crispinella. The dramatis personae describes him as a "bold gallant," and the evidence that his wit will make him a suitable match for Crispinella is shown in their many flyting matches (which he always loses, but just barely) and the ease with which he shows off the shortcomings of his rival Caqueteur.

Synopsis:

I.i The action opens in Mulligrub's tavern. Freevill, Malheureux, Tysefew, and Caqueter are gathered together. One Cockledemoy-a "knavishly witty City companion" and a bawd-has recently robbed Mulligrub, a Vintner. Freevill tells the tale of how Cockledemoy, a "man of much money, some witte, but less honestie," came to Mulligrub's tavern to consort with his whore. But, all the rooms being full, he was given a room next to the street in order to enjoy "female privateness." A blind harper played for them and, when everyone had left the room but the harper, Cockledemoy grabbed three golden goblets ("bowles") and escaped through the window with his whore, Mary Faugh. Mulligrub laments his loss, but is chided by Malheureux and Freevill for his sinful business (selling spirits).

Mulligrub swears that he will see Cockledemoy hanged.

Caqueteur admires Freevill's diamond ring and asks to borrow it so he can impress his mistress. Freevill lends it to Caqueteur.

Everyone leaves for the evening except Freevill and Malheureux. Malheureux insists upon seeing Freevill home to a chaste bed, suspecting his friend of frequenting bawdyhouses. Freevill makes an impassioned defense of Courtesans, but Malheureux is unconvinced. Malheureux prides himself upon his virtue and purity (he seeks to be a stoic, wise man). At last he agrees to go with Freevill to the house of Freevill's Dutch Courtesan, but only "to make her loath the shame she's in."

I.ii sees Cockledemoy and Mary Faugh in the brothel discussing the robbery. It is but a lark to them. Some anti-Catholic sentiment is expressed. Freevill and Malheureux come in looking for Francischina, the Dutch Courtesan. Malheureux is surprised by her beauty and cannot bring himself to believe that anyone so lovely can be wicked. He determines to love her, his passion having gotten the better of him. Freevill is greatly amused by the fall of his friend into passionate distraction.

Act II begins on the next morning. Freevill comes to serenade his beloved Beatrice, to whom he is betrothed. He seems to have given up Francischina altogether. Beatrice gives Freevill her ring as a love token and begs him to be true to her.

After she leaves, Malheureux meets Freevill. Malheureux chastises his ability to reason because it stands in the way of his having Francischina. He envies the birds and beasts that can copulate without guilt or remorse. Cockledemoy overhears and teases Malheureux about his plight. Freevill and Malheureux leave, telling Cockledemoy that Mulligrub is after him and will hang him if he is not careful.

Cockledemoy meets a barber named Holifernes. Holifernes is on his way to shave Mulligrub, who is his godfather. Cockledemoy tells Holifernes that he wants to play a trick on Mulligrub and convinces Holifernes to lend him his barber gear. Cockledemoy then disguises himself with a beard and the accent of "a Northern Barbar" (Scotsman?) and goes off to Mulligrub's.

Francischina and Mary Faugh enter. Francischina is distraught that Freevill has rejected her. She blames Mary for introducing her to such a false lover. Mary reminds Francischina that Mary has set her up with a Spaniard, an Italian, an Irish Lord, a Dutch merchant, a Frenchman, "and now lastly with this English . . . Gentleman." Francischina (with accent) asks Mary to "helpe me to an oder love."

Francischina cannot be calmed and swears to be revenged. Freevill comes in with Malheureux in order to convince her to accept Malheureux as her lover. She is too angry with Freevill, though, and says she has heard of his betrothal to Beatrice. She says of Beatrice, "ick could scratch out her eyes, and sucke the holes" for which Freevill calls her a "puncke rampant" and leaves.

Malheureux, swept up in passion, tries to convince Francischina to bed with him. She finally agrees to do so if Malheureux first kills Freevill and brings her the ring that Beatrice gave him as proof of the deed. Malheureux agrees to do so, but after Francischina leaves he comes to his senses and determines to tell Freevill what she has plotted.

Meanwhile, Mulligrub has pulled together fifteen pounds in order to buy new goblets to replace those stolen by Cockledemoy. Cockledemoy enters disguised as Andrew Sharke, the Barber. While Mulligrub is seated for his shave, Cockledemoy puts a coxcomb on Mulligrub's head to keep it warm. He lathers up Mulligrub's face so that Mulligrub must close his eyes to keep the soap out. He steals the fifteen pounds while Mulligrub chats with him and sneaks away. Mulligrub soon discovers the theft and guesses that it was Cockledemoy that has "poled and shaved me."

Act III opens on Beatrice, her sister Crispinella, and their nurse, Putifer. Crispinella tells of her distaste for kissing. She must kiss any man of stature in her father's house. She says, "I had as live they would break wynd in my lips." When Beatrice objects to the vulgarism, Crispinella wonders why we don't object to words such as "Robbery, Murder, treason" when we object to words denoting natural human functions. In her speech she reflects what has happened to Malheureux when she refers to the "hypocritical vestal virgin" who "speake that with close teeth publikely, which she will receive with open mouth privately." She swears she will never marry, likening husbands to coral, which is soft and subtle underwater-as are suitors-but grow hard when they rise above water-as husbands grow hard after marriage.

Freevill and Tysefew enter. Beatrice tells them that she and Freevill are to be contracted that night. Her father is throwing a masque in their honor. It is suggested that Caqueteur be invited in order to prove a partner for Putifer. At Caqueteur's name, Tysefew recalls that he lent him his diamond the night before (Note: in Act I it was, probably by compositional error, Freevill who lent the ring to Caqueteur). Tysefew suggests that Caqueteur will make some bold claim how he got the ring when he comes to see Crispinella.

Freevill and Tysefew hide when Caqueteur comes in. Crispinella admires the ring, but says she remembers it as being Tysefew's. Caqueteur says that Tysefew pawned it to him in order to pay his meal bill. Tysefew comes out from hiding and confronts Caqueteur, calling him a liar. Caqueteur, to save face, whispers to Crispinella that Tysefew is trying to save face and that he forfeits the ring for his outrage. Then Caqueteur whispers to Tysefew that he has told Crispinella the truth about the ring, that it is not pawned at all, but Crispinella tells Tysefew what Caqueteur really said-that Tysefew forfeited his pawned ring for his outburst. All is resolved when Caqueteur agrees to partner Putifer at the masque.

III.ii Malheureux meets Freevill and tells him of Francischina's plot to have him killed. Freevill asks Malheureux if he can give her up. Malheureux replies that his passion controls him, and he cannot for any reason cure himself of her. Freevill offers a counterplot: Malheureux and he should feign an argument at the masque, step outside as if to fight, and hide themselves. Then Freevill will lend Malheureux his ring and allow his friend to enjoy the Dutch Courtesan, everyone believing that Malheureux has killed Freevill.

III.iii Meanwhile, Mulligrub has gone to Burnish, the goldsmith, and obtained a goblet on credit. Cockledemoy, disguised as a French peddler, observes the transaction. He overhears Mulligrub threaten to torture Cockledemoy in prison before seeing him hanged. Mulligrub sends the goblet to his house via messenger. Cockledemoy follows the messenger and, after the goblet is delivered to Mrs. Mulligrub, he tells her that he has been sent to fetch the goblet back to have Mulligrub's arms engraved on it. He gives her some smoked salmon, saying that the Burnishes and Mulligrub will come to have supper tonight. Mrs. Mulligrub, being shrewd, asks for some token from her husband. Cockledemoy says that Mulligrub sent him with the token that he had been dry shaved that morning. Mrs. Mulligrub believes him and gives him the goblet.

While Mrs. Mulligrub is preparing for the salmon feast, Mulligrub returns. Mulligrub believes that the messenger who brought the fish has mistaken the house and bids his wife to sit and enjoy the salmon before the messenger returns for it. When he learns that she gave the goblet in return for the salmon, Mulligrub goes into a fit of rage and runs out looking for Cockledemoy. Cockledemoy enters and tells Mrs. Mulligrub that her husband was only fooling, he really did know about the goblet, and that the salmon was to be taken to the Burnishes' house where they were all invited. Mrs. Mulligrub, much relieved, gives him the salmon, and he leaves. Mulligrub enters to discover that he doesn't have even the salmon to mitigate his loss.

Act IV begins at the masque. Freevill and Malheureux execute their plan precisely. Malheureux asks what if he's caught and charged with Freevill's murder. Freevill says he will hide at the jeweler's shop of Shatewes, and Malheureux must only send someone there to prove his innocence. After Malheureux leaves, however, Freevill soliloquizes that he will not go to Shatewes' but disguise himself in order to teach Malheureux a lesson about being controlled by passion.

IV.i shifts to the bawdyhouse. Malheureux has come to collect his promise from Francischina. She tells Mary Faugh to send him away for two hours on the pretense that she is making herself beautiful for their tryst. She says that now that she has the ring and Freevill is dead, she will see Malheureux hang for the murder and will torment Beatrice with the ring. She sends Mary to find a man to escort her through the town. Back at the masque Francischina enters with her escort-who is Freevill disguised as a pander. She tells them that Malheureux has killed Freevill and bids them follow her to set a trap for him. She insists to Beatrice that Freevill betrayed her with Francischina, but Beatrice blames only herself if Freevill was untrue.

Constables are set in the courtyard around Francischina's house to catch Malheureux. Mulligrub finds Cockledemoy and tries to catch him, managing to tear off his cloak. Cockledemoy runs to the constables and tells them that a thief disguised as a Vintner who has stolen his cloak is pursuing him. When Mulligrub enters in pursuit he is arrested and placed in the stocks. Cockledemoy reenters dressed as a bellman and finds Mulligrub in the stocks. He tells Mulligrub that he knows him to be a fine fellow. Mulligrub sends the "bellman" to act as a character witness to the constables. Cockledemoy goes to the constables and tells them that Mulligrub is a most wanted and desperate fellow. The constables decide to take Mulligrub out of the stocks and straight to prison.

Act V finds Francischina leading Lyonel, Tysefew and Officers into her chamber in order to set a trap for Malheureux. They hide when Malheureux comes in and listen as Francischina gets Malheureux to confess to killing Freevill. They leap out and arrest him at once. Malheureux sees the treachery and tells them that Freevill is at the house of Shatewes the jeweler. After he is taken off, Francischina instructs the disguised Freevill to go torment Beatrice. She then exults in her evil plans.

V.ii Beatrice and Crispinella are comforting one another; neither believes that Freevill was untrue. The disguised Freevill enters and reveals that it is he in disguise. Beatrice faints. He begs their forgiveness for the deception and asks them to keep his secret a little longer. Tysefew enters to tell them the news that Malheureux has been found guilty of murder and sentenced to hang along with the Vintner, Mulligrub.

V.iii At the execution, Cockledemoy, disguised as a Sergeant, picks Malheureux's pocket. On the scaffold Malheureux realizes the folly of passion, and upon that realization Freevill unmasks and saves him; he tells everyone that Francischina is to blame, and she is arrested.

Next, Mulligrub is brought on. Mrs. Mulligrub comes in to see him hanged and flirts with the Sergeant/Cockledemoy while waiting for the hanging. Mulligrub on the scaffolding forgives all the people to whom he owes money and tells his debtors to pay his wife. Cockledemoy asks what Mulligrub wishes for Cockledemoy and Mulligrub gives him his forgiveness. Having been publicly forgiven, Cockledemoy unmasks and acquits Mulligrub. He restores all he has stolen from Mulligrub and says that all he has done has been done was for Euphoniae gratia, "for Wit's sake."

All ends happily, Francischina is taken to prison, and the lovers go off to be married while Mulligrub and Cockledemoy are reconciled.

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Characterization:

Francischina has no real reason for being Dutch other than to make her accent so apparently foreign to the Jacobean ears. She is an outsider, a non-Englishman, and can be seen as a corrupting outside influence, which may be, in itself, a slap at the Scottish court.

Freevill is slightly problematic. In the first scene he seems to favor keeping a whore and praises the practice. It is his Dutch Courtesan, Francischina, that he introduces to Malheureux and who causes all the problems. One must question his taste (unless we view his lust in the light of Malheureux's affection for the lady, in which case we must question Freevill's control of his passion.) He seems to drop Francischina at the end of Act I; he is seriously courting the virginal Beatrice at the beginning of Act II. He thereafter acts as the curative for Malheureux's passion, but again his methods are questionable. He seems not to see consequences in his actions. When he hides rather than going to the jewelers, he causes not only Malheureux but also Beatrice great distress. And insofar as Beatrice is concerned, he takes almost sadistic pleasure in seeing her love of him tested. Although he does sincerely apologize for his actions, he probably should not have hurt her in the first place.

Malheureux is Marston's vision of stoics. As with Andrugio in his Antonio's Revenge, the stoic is a paper-thin veneer over a passionate man. The oft-advanced commentary that Marston approved of stoicism is faulty in light of Malheureux. Stoics, according to Marston, apparently talk a good game but are as susceptible to the passions as are other men. Because of their loftier cast of mind, they have a farther drop into the pits of passionate attachment.

Mulligrub is foil to Malheureux in the subplot. He is linked to Malheureux in several aspects. First, his name means "to be down in the dumps" as does Malheureux's (French for "unhappy"); second, he is given to passionate outbursts which he cannot control; third, he requires an agent to mistreat him in order to bring him to his senses; fourth, he and Malheureux join one another on the gallows, brought low by their passion.

Mistress Mulligrub embodies Marston's love of rhetorical self-commentary. She likes her words and is conscious of her turns of phrase. (cf. the discussion of Gonzago in The Fawn).

Cockledemoy is to Mulligrub what Freevill is to Malheureux, the remedy for passion. He is "a witty City companion" and a bawd, but there is no real harm in him. He is described by Holifernes as "A thick elderly stub-bearded fellow" (Act II). Like Freevill, he assumes disguises in order to torment his target (in the play he is, among other things, a French peddler, a Scots barber, a bellman, and a messenger sent from Master Burnish).

Tysefew and Crispinella have an interesting subplot that never really gets going.

Crispinella, apart from Francischina, is probably the most interesting female figure in the play. She has a mind of her own and is not shy about expressing herself. Still, she is as virtuous as her sister (Beatrice) is, but she manages to avoid being made weak because of her virtue-unlike her sister.

Caqueteur is wholly extraneous to the story and could almost be removed entirely with no one being the wiser. He is involved in the ring business with Tysefew and Crispinella, but disappears quickly thereafter and is only mentioned later, in Act V, when he is denied admittance to see Crispinella. He is, both to Crispinella and to the drama itself, "Honorificabilitudinitatibus: a great deale of sound and no sence: his companie is like a parenthesis, to a discourse you may admit it, or leav it out, it makes no matter."

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